Skip to main content

Moving into stillness

At night some understand what the grass says.
The grass knows a word or two.
It is not much. It repeats the same word
Again and again, but not too loudly...

from "Evening" by Charles Simic

During my student years, which, really I must confess, persist after all this time, I made paper by collecting weeds from the sides of the roads. Although they did not look like weeds to me, but tall slender grasses toasted to a golden wheat color by the sun, delicately, and on all sides, like the way a good baker rotates her baking sheets when her wares are in the oven so that the golden coat is even. It was summer and hot and the grasses were sentries that stood between the highway gravel and that other world that begins with dirt and goes on beyond time. 

I marveled at seeing these grasses transformed into paper. It bordered on magic and myth, like learning Rumpelstiltskin's trick without the bargain or the temper. Depending upon the grasses I collected, the paper would change in my hands. One of my favorite materials turned out to be corn husks and not a grass at all.

The most delicate papers were made from the bark of a ficus tree by way of a time-consuming process. It involved not the green leaves but the bark, which I peeled and opened and scraped out the viscous interior of each carefully selected branch. Hidden within these branches were gossamer sheets of paper like the mass wafers that would melt on the tongue during communion. These sheets I wanted to preserve for the best of ideas, for the deepest expressions of the heart. Maybe because this paper came from a place that could not upon first look be seen. It had to be coaxed into being, but once brought forth its beauty, like beauty once recognized in all things, could never again be unseen.

The grasses in the canyon this year after all of our rain now remind me of the grasses I long ago cut down and gathered up and boiled down and lay out to dry in sheets that, again, I could cut, this time into pages. And these pages held words that I spread around like the seeds of these grasses that had once upon a time been cast about by the wind. Like prayers at dawn. These seeds becoming pages. These prayers becoming messengers of joy.



Comments

Popular posts from this blog

ANNOUNCEMENT: Out on a Limb, live web show about yoga hosted by yours truly. Begins Sunday, March 2 at 2 p.m.

In Swami Satchidananda’s translation of the Yoga Sutras by Patanjali, the capital “s” sage of the text that explains yoga to the seeker, Satchidananda speaks of the secret of coming together to practice this ancient art. He says, “There is joy in being together, that’s all.” That’s the secret. No attachment, no expectation, and joy. This is yoga. Of course, even joy requires practice. As a dedicated student of ashtanga yoga, I am naturally committed to the physical practice, also known as the asana . While the physical practice has many traditions—Iyengar, Anusara, Yin, Flow, Kundalini, to name a few—it is important to understand that the asana is only one small part—one limb—of the entire eight-limb path that is yoga. The larger journey takes shape as we leave our mats, step out of the studio and into the world. I invite you to join me in a weekly 60-minute exploration of the multiple realms of yoga where we might venture beyond our comfort zones and go Out on a Limb to ...

The dawn's early light

My husband is not a morning person. In fact, he would say that getting up early is for the birds. And, of course, he'd be right. Every bird worth its weight in feathers knows that the early morning is the best time to harvest worms and to sing its ode to the dawn's early light. While I have no interest in competing with the birds for their morning grubs--as long as they leave enough for the garden--I am, nonetheless, one of the flock when it comes to paying tribute to the dawn. According to the latest evidence in sleep research, this penchant for the dawn makes me a "lark," a morning person, someone who feels she is capable of her best work in the morning. Those who burn the candle at the other end of the day are known as "owls" because they, like their nocturnal namesakes, tend to be more productive in the evening. I imagine that if I talked to enough "owls," I would find that, like me, they have a special reverence for their particular time o...

A seat at the table

During the puja celebration to honor the reopening of Pacific Ashtanga Yoga Shala at its new location in Dana Point earlier this month, Director and Lead Instructor Diana Christinson presented each participating member of her ashtanga yoga community with a red thread. This red thread is known as a kalava and is used in Hindu ceremonies (or pujas ) as a symbol of unity for a community--in this case, the community of ashtangis who practice with Diana at her shala. When Diana presented these threads to us, she asked us to set an intention for ourselves and to commit ourselves to manifesting that intention in our lives. When we were ready, we were instructed to return with our kalava and share with her in a simple private ceremony the intention we had set for ourselves. Diana, then, would tie this thread around our wrists where it would remain as a symbol of what we were ready to welcome into our lives. For me, this puja thread is now a reminder of the following vow I have set for m...